Synopsis: "A battle ensues among groups of government spy teams in an underground facility after their boss is assassinated."

Edit summary: Removes the overarching plot and just allows the B-movie comedy violence to speak for itself. A few slow parts have also been trimmed, along with almost all the faces and reactions from the control room that often interrupt unnecessarily.

Synopsis: "Tells the story of a woman who cannot trust people because of her ability to hear lies and a murder suspect who no one believes in."

Edit summary: This edit removes most of the murder mystery and reworks the bit that's left to come to a much quicker conclusion, only keeping it where it serves as a framework for the romance. The whole show had a completely different tone and pacing in the back half that needed a serious rework to preserve consistency. I also Americanized a few subtitles, where the literal translation either seemed rough, too verbose, or didn't easily convey the sentiment of the conversation.

The multiple parent side stories are also either removed or reduced as well as many other side plots that take significant amounts of time - some of these plots are good in the original, but I was originally aiming for a movie-length cut. But six hours was about the natural minimum without gutting crucial flow and plot elements, so even though the edit ended up being episodic and not movie-length, I still left out the previously trimmed episodic content. A couple of the stories were fun I think they'd throw off the balance due to their length.

Synopsis: "Jocelyn is desperate to reclaim her rightful title as the greatest and sexiest pop diva in America after a nervous breakdown disrupted her most recent tour, and Tedros - a notorious nightclub entrepreneur - reignites her passions."

Edit summary: Cut the entire Tedros storyline and made the first-episode plot a self-contained story.

Synopsis: "A wildlife officer, who is haunted by a tragedy that happened because of him, teams up with an FBI agent in solving a murder of a young woman on a Wyoming Native American reservation and hopes to get redemption from his past regrets."

Edit summary: Kept the laid-back pace of the main story intact, but trimmed some of the main character family life, and some of the flashbacks to focus on the core narrative without interruption. Some scenes are recut and rearranged for better impact.

Synopsis: "Dark forces conspire against orphan mapmaker Alina Starkov when she unleashes an extraordinary power that could change the fate of her war-torn world."

Edit summary: Cut the flashbacks and the ship/storm sideplot that isn't really necessary for the first season and interrupts the pacing of the main plot. Other small cuts to help the pacing and also hide some botched special effects as much as possible.

Season 2: toned down the superhero abilities a little bit to match the vibe of the first season, cut the Ravka crew scenes since the story was pedestrian and unrelated to the core plot, and recut some of the Alina plot to fix the writing.

Synopsis: "When an apocalyptic tidal wave hits during the ten-year reunion of an all-girls high school, a group of women must find a way to survive on the island peak of their high school campus."

Synopsis: "A down-on-his-luck inventor turns a broken-down Grand Prix car into a fantastical vehicle for his children, and then they go off on a magical adventure to save their grandfather in a far-off land."

Edit summary: This edit significantly cuts down the musical numbers (only kept You Two, Candy Factory, Chitty Chitty Bang Bang, and King's Birthday), tones down the slapstick a bit, reduces the creepy childcatcher scenes, and various other trims to bring down the rather chunky length to something that doesn't require an intermission break. The only one I'm sad about losing is the carnival dance song (the song is silly but it was fun to watch as a kid), but that sequence really breaks up the flow of the early story and is an easy cut to save time without impacting the plot.