Synopsis: "A frustrated novelist begins to depend less on his imaginary friend when he forms a unique bond with a Long Island teenager."
Edit summary: This isn't a great movie by any means, but I'm posting the edit anyway because it does offer a completely different take on the film.
This removes the imaginary friend completely, as well as a few small cuts in places that reference the age of the younger characters. Supposedly they're 12-15 but Emma Stone was like 21 in this and doesn't look younger than 18 by any means. Implying younger ages could completely change the tone, but it would need younger actors to work, otherwise it just seems weird.
Edit summary: This isn't a great movie by any means, but I'm posting the edit anyway because it does offer a completely different take on the film.
This removes the imaginary friend completely, as well as a few small cuts in places that reference the age of the younger characters. Supposedly they're 12-15 but Emma Stone was like 21 in this and doesn't look younger than 18 by any means. Implying younger ages could completely change the tone, but it would need younger actors to work, otherwise it just seems weird.
Synopsis: "Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives"
Edit summary: Removed most of the scenes spent out of the office that interrupted the pace and tone of the work segments. This also made the tone more suspenseful and less depressing overall, the "real life" segments have a tendency to be a bit morose. Also streamlined the office to keep the focus on Mark and Helly, and reduce the presence of Irving and many of the management staff characters. The new plot arc requires a lot less suspension of disbelief since many of the "mysterious" crazy side plots are removed in favor of a mysterious tone rather than manufactured mysteries.
Ver9: Re-add 20 seconds of cut footage to improve the finale and retrim the ending a bit.
Edit summary: Removed most of the scenes spent out of the office that interrupted the pace and tone of the work segments. This also made the tone more suspenseful and less depressing overall, the "real life" segments have a tendency to be a bit morose. Also streamlined the office to keep the focus on Mark and Helly, and reduce the presence of Irving and many of the management staff characters. The new plot arc requires a lot less suspension of disbelief since many of the "mysterious" crazy side plots are removed in favor of a mysterious tone rather than manufactured mysteries.
Ver9: Re-add 20 seconds of cut footage to improve the finale and retrim the ending a bit.
Synopsis: "Daniel Garcia is working in the family bakery and doing everything that his loving Cuban parents and siblings expect him to do, until his life changes unexpectedly on a wild Miami night with a chance encounter with a superstar model at a fancy restaurant."
Edit summary: Culled out a lot of the side plots to put more focus on the main characters' relationship rather than trying to give equal time to the rest of the family. Also some careful trims to make a couple of the side characters more likeable rather than annoying.
Ver6: Updated projects to remove mixed non-23.976 sources for easier loading
Edit summary: Culled out a lot of the side plots to put more focus on the main characters' relationship rather than trying to give equal time to the rest of the family. Also some careful trims to make a couple of the side characters more likeable rather than annoying.
Ver6: Updated projects to remove mixed non-23.976 sources for easier loading
Synopsis: "An all-star lineup of superheroes -- including Iron Man, the Incredible Hulk and Captain America -- team up to save the world from certain doom. Working under the authority of S.H.I.E.L.D., can our heroes keep the planet at peace?"
(Synopsis compliments of Netflix)
Edit summary: Combines all of the Marvel superhero movies relevant to the Avengers series together with them, while carefully cutting any bad acting, scripts, or irrelevant time wasting side-plots that don't add to the character development.
(Synopsis compliments of Netflix)
Edit summary: Combines all of the Marvel superhero movies relevant to the Avengers series together with them, while carefully cutting any bad acting, scripts, or irrelevant time wasting side-plots that don't add to the character development.
Synopsis: "A mighty warrior and a young boy with supernatural powers search for enlightenment in a ruthless post-apocalyptic America controlled by feudal barons."
Edit summary: Toned down MK's "special boy" plot and removed the magic powers and monks from the series. Made Tilda more tolerable, and reduced Veil's story a bit so it's a supporting story rather than overpowering the action with her repetitive plot.
Edit summary: Toned down MK's "special boy" plot and removed the magic powers and monks from the series. Made Tilda more tolerable, and reduced Veil's story a bit so it's a supporting story rather than overpowering the action with her repetitive plot.
Synopsis: "Using a crack team of doctors and his wits, an antisocial maverick doctor specializing in diagnostic medicine does whatever it takes to solve puzzling cases that come his way."
Edit summary: This heavily culls the episodes down to the most interesting cases, as well as smoothing out the overarching plot and cast changes. Disposed of the antagonistic cop, billionaire, most of the romance plots, some of the new team recruitment, hostage plot, etc. The ending is also completely different since this edit focuses far less on House's drug addiction.
This brings the series to a svelte 18 hours, and although it's a heavier cut than I normally do at only 14% the length of the original, I think it does a good job at reducing the procedural feel and making it more of a quality and enjoyable rewatch.
Edit summary: This heavily culls the episodes down to the most interesting cases, as well as smoothing out the overarching plot and cast changes. Disposed of the antagonistic cop, billionaire, most of the romance plots, some of the new team recruitment, hostage plot, etc. The ending is also completely different since this edit focuses far less on House's drug addiction.
This brings the series to a svelte 18 hours, and although it's a heavier cut than I normally do at only 14% the length of the original, I think it does a good job at reducing the procedural feel and making it more of a quality and enjoyable rewatch.
Synopsis: "A burglar falls for an heiress as she dies in his arms. When he learns that he has the gift of reincarnation, he sets out to save her."
Edit summary: Cut most of Will Smith's role, toned down the fantasy side slightly, and trimmed/refocused the start of the film to seem less scattered. Removed the majority of the voiceovers.
Edit summary: Cut most of Will Smith's role, toned down the fantasy side slightly, and trimmed/refocused the start of the film to seem less scattered. Removed the majority of the voiceovers.
Synopsis: "A battle ensues among groups of government spy teams in an underground facility after their boss is assassinated."
Edit summary: Removes the overarching plot and just allows the B-movie comedy violence to speak for itself. A few slow parts have also been trimmed, along with almost all the faces and reactions from the control room that often interrupt unnecessarily.
Edit summary: Removes the overarching plot and just allows the B-movie comedy violence to speak for itself. A few slow parts have also been trimmed, along with almost all the faces and reactions from the control room that often interrupt unnecessarily.
Synopsis: "Adam Lawrence was trained and groomed by MI6; his career seems set. When the past catches up with him in the form of Kara, a Russian spy with whom he shares a complicated past, he is forced to question everything and everyone in his life."
Edit summary: Trimmed to speed up the rather sluggish pace in parts and bring it down to movie length, removing a couple silly parts and bad acting on the part of the "American".
Edit summary: Trimmed to speed up the rather sluggish pace in parts and bring it down to movie length, removing a couple silly parts and bad acting on the part of the "American".
Synopsis: "Tells the story of a woman who cannot trust people because of her ability to hear lies and a murder suspect who no one believes in."
Edit summary: This edit removes most of the murder mystery and reworks the bit that's left to come to a much quicker conclusion, only keeping it where it serves as a framework for the romance. The whole show had a completely different tone and pacing in the back half that needed a serious rework to preserve consistency. I also Americanized a few subtitles, where the literal translation either seemed rough, too verbose, or didn't easily convey the sentiment of the conversation.
The multiple parent side stories are also either removed or reduced as well as many other side plots that take significant amounts of time - some of these plots are good in the original, but I was originally aiming for a movie-length cut. But six hours was about the natural minimum without gutting crucial flow and plot elements, so even though the edit ended up being episodic and not movie-length, I still left out the previously trimmed episodic content. A couple of the stories were fun I think they'd throw off the balance due to their length.
Edit summary: This edit removes most of the murder mystery and reworks the bit that's left to come to a much quicker conclusion, only keeping it where it serves as a framework for the romance. The whole show had a completely different tone and pacing in the back half that needed a serious rework to preserve consistency. I also Americanized a few subtitles, where the literal translation either seemed rough, too verbose, or didn't easily convey the sentiment of the conversation.
The multiple parent side stories are also either removed or reduced as well as many other side plots that take significant amounts of time - some of these plots are good in the original, but I was originally aiming for a movie-length cut. But six hours was about the natural minimum without gutting crucial flow and plot elements, so even though the edit ended up being episodic and not movie-length, I still left out the previously trimmed episodic content. A couple of the stories were fun I think they'd throw off the balance due to their length.
Synopsis: "A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and attempting to regain his memory."
Edit summary: While I think the original Bourne trilogy is solid, I wanted something a bit more rewatchable - some parts I love but some long action sequences and slow parts really lose my attention when rewatching the series. So this reworks the plot a bit - removing the romance plot with Marie, trimming or removing a lot of the car chases, and integrating all three films together into a loose narrative. A few scenes are tweaked to change the timing/context since the last two films in the trilogy technically overlap.
Edit summary: While I think the original Bourne trilogy is solid, I wanted something a bit more rewatchable - some parts I love but some long action sequences and slow parts really lose my attention when rewatching the series. So this reworks the plot a bit - removing the romance plot with Marie, trimming or removing a lot of the car chases, and integrating all three films together into a loose narrative. A few scenes are tweaked to change the timing/context since the last two films in the trilogy technically overlap.
Synopsis: "Dark forces conspire against orphan mapmaker Alina Starkov when she unleashes an extraordinary power that could change the fate of her war-torn world."
Edit summary: Cut the flashbacks and the ship/storm sideplot that isn't really necessary for the first season and interrupts the pacing of the main plot. Other small cuts to help the pacing and also hide some botched special effects as much as possible.
Season 2: toned down the superhero abilities a little bit to match the vibe of the first season, cut the Ravka crew scenes since the story was pedestrian and unrelated to the core plot, and recut some of the Alina plot to fix the writing.
Unfortunately the show was cancelled and it does leave the plot vaguely on a cliffhanger, it was clearly intended to have a third season to finish the character plot arcs. In my opinion it's still an enjoyable watch though, and not open-ended in an unsatisfying way, just feels like there should be more.
Edit summary: Cut the flashbacks and the ship/storm sideplot that isn't really necessary for the first season and interrupts the pacing of the main plot. Other small cuts to help the pacing and also hide some botched special effects as much as possible.
Season 2: toned down the superhero abilities a little bit to match the vibe of the first season, cut the Ravka crew scenes since the story was pedestrian and unrelated to the core plot, and recut some of the Alina plot to fix the writing.
Unfortunately the show was cancelled and it does leave the plot vaguely on a cliffhanger, it was clearly intended to have a third season to finish the character plot arcs. In my opinion it's still an enjoyable watch though, and not open-ended in an unsatisfying way, just feels like there should be more.
Synopsis: "Follows Wednesday Addams' years as a student, when she attempts to master her emerging psychic ability, thwart a killing spree, and solve the mystery that embroiled her parents."
Edit summary: Cut parents day and Uncle Fester, and a bunch of secondary character scenes to keep the focus on Wednesday's story. Numerous dialogue tweaks to remove political writing, and fix some rough writing and delivery, cut a couple aborted storylines like psychic training, and remove some common tropes about needing friends and love that try to moralize the character rather than leaning into her weirdness. Also re-trim the ending to be a lot less corny, both in terms of acting and writing, it was by far the weakest part of the original series.
Edit summary: Cut parents day and Uncle Fester, and a bunch of secondary character scenes to keep the focus on Wednesday's story. Numerous dialogue tweaks to remove political writing, and fix some rough writing and delivery, cut a couple aborted storylines like psychic training, and remove some common tropes about needing friends and love that try to moralize the character rather than leaning into her weirdness. Also re-trim the ending to be a lot less corny, both in terms of acting and writing, it was by far the weakest part of the original series.
Synopsis: "An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a ramen chef under a tyrannical Japanese master."
Edit summary: This focuses the story mostly on the ramen shop, only keeping enough of the side characters and plot to add some light outside interactions for the main character. Some of the scenes are also rearranged to create a more natural flow to the story.
Edit summary: This focuses the story mostly on the ramen shop, only keeping enough of the side characters and plot to add some light outside interactions for the main character. Some of the scenes are also rearranged to create a more natural flow to the story.